touch collection v1

Touch | Collection

Jean Nouvel

The Touch collection, designed by Jean Nouvel, interprets design as a sensory experience, placing the direct relationship between body, material and form at its core. The seating pieces, defined by fluid lines, essential volumes and continuous surfaces, express a timeless design language.

Specifications

Designed by Jean Nouvel, the Touch Collection embodies a precise design vision: to move beyond the supremacy of image and restore centrality to the tactile experience. In an era dominated by the immaterial and the visual, leather and its almost muscular tension re-establish a physical, intimate and authentic relationship between the object and the body.

Light in their supporting structures and compact in scale, the seating pieces offer a high level of comfort thanks to generously padded cushions with rounded shapes and the distinctive armrest tablet, a functional element and defining feature of the design.

From a construction standpoint, the supporting structure of the seating is made of metal, while the padding, shaped in expanded polyurethane foam, is upholstered in a specially developed leather designed to enhance the direct relationship between material and body.

jean nouvel
Designed by
Jean Nouvel

Born in Fumel (France) 1945. After he enrolled at the Ecole des Beaux-Arts in Bordeaux, Jean Nouvel entered the Ecole Nationale Supérieure des Beaux-Arts in Paris in 1966 and obtained his degree in 1971. Assistant to the architect Claude Parent and inspired by urban planner and essayist Paul Virilio, he started his first architecture practice in 1970. He became a founding member of the “Mars 1976” Movement whose purpose was to oppose the architects’corporatism and then a founder of French Architecture Union. His strong stances on contemporary architecture in the urban context together with his unfailing ability to inject originality into all the projects he undertakes have formed his international image. Jean Nouvel’s approach does not result from considerations of style or ideology, but from a quest to create a unique concept for a singular combination of people, place and time. His most notable projects include the Fondation Cartier pour l’art contemporain (Paris), the Galeries Lafayette (Berlin), the Quai Branly Museum (Paris), the Louvre Abu Dhabi, the National Museum of Qatar (Doha), the 53W53 tower (New York), the Museum of Art Pudong (Shanghai) and the Duo towers (Paris). 

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