Archibald | Dining Chair

Jean-Marie Massaud

The shell and armrests of the Archibald dining chair are made from moulded rigid polyurethane while the internal padding consists of soft moulded polyurethane and polyester wadding. The frame, also padded in polyurethane foam and wadding, is made from birch plywood. Elastic springs.
The 4-legged base is made from solid ash with a Wenge or Moka stain, and has felt pads or a choice of protective guides at the ends of the legs. It can be upholstered in Pelle Frau® leather or fabric.
The leather version is embellished with contrast stitching.

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Archibald | Dining Chair

Jean-Marie Massaud
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Visuals shown are for illustration purposes only. Actual finish and/or pattern may vary due to unique characteristics of natural raw materials

Version

base

Upholstery Info

Concept and Design

Inspired by his iconic Archibald chair, Wallpaper*Award in the “Best Domestic Design” section in 2009, Jean-Marie Massaud creates another little masterpiece, a dining chair of impeccable elegance.

 

The Archibald dining chair is sculpted, clean and contemporary, softened with a sartorial touch that is evident in every detail, like the sumptuous folds on the inside of the backrest upholstered in leather. Or the understated armrest that resembles a shirt collar that has been left slightly open with a casualness that is both deliberate and undeniably elegant. Or the precious contrast stitching, which discreetly and skilfully underlines the curved line of the back and profiles.

The most recent addition to the Archibald collection, which ten years ago arrived on the scene as a contemporary take on the classic English tub chair, the new Archibald dining chair boasts all the comfort of the rest of the collection but has a sleeker, more casual allure that makes it particularly eclectic and perfect for both contemporary spaces and, conversely, more classic interiors.

Designed by
Jean-Marie Massaud

Born in Toulouse in 1966, Jean-Marie Massaud graduated in 1990 from Les Ateliers, Ecole Nationale Supérieure de Création Industrielle, Paris. He began to work both in Asia and in France, finally opening his own office in Paris in 1994. Since than, he has dedicated himself to industrial and furniture design, building important relationships with brands such as Authentics, Baccarat and Magis. His collaboration with Marc Berthier and his work in the field of town planning led him towards design and architecture. He is concerned with design in various contexts, industrial products and furniture. His contextual approach centres on research into the essential, within which the individual remains the centre of attention. It is a work upheld by research into the senses, magic, and vital emotion which brings him to work with very different brands: Cassina, Poltrona Frau, Cappellini, Cacharel, Lancôme, Tronconi and Yamaha offshore.

His works have been awarded several prizes and many of his designs are nowadays on show in the design collections of the major museums worldwide: from Amsterdam, Chicago, London, Paris and Zurich: from the permanent collection of the Musée National d'Art Moderne de Paris to the permanent collections of the Museum für Gestaltung, Zürich, of The Chicago Athenaeum- Museum of Architecture and Design, of The Stedelijk Museum, Amsterdam and of The Musée des arts Décoratifs, Paris.

Coverings and finishes