Chester One | Sofa

Renzo Frau

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DIVPROVA
DIVPROVA
Immagini 142
511
Immagini 368
DIVPROVA
DIVPROVA
Immagini 142
511
Immagini 368
The supporting structure is made from seasoned beech. The vegetable horsehair of the backrest and armrest padding is hand-shaped. The spring system consists of hand-tied biconical springs attached to jute belts. The seat cushion is in goose down and polyurethane foam. The feet can be spherical, in lacquered black or walnut stained wood, in the same finishes or covered in leather.

Chester One | Sofa

Renzo Frau
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Visuals shown are for illustration purposes only. Actual finish and/or pattern may vary due to unique characteristics of natural raw materials

Sofa dimension

base

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Concept and Design
Chester is now also Chester One: a more extensive collection with new four- and five-seater sofas and poufs, also revisited in terms of their dimensions. In fact, the seats are now 15 centimetres deeper to offer greater comfort and contemporary elegance, in keeping with the times. However, the Chester One sofa maintains the features of the classic model designed by Renzo Frau: the famous capitonné processing, the curved armrest, the series of pins that refines the Pelle Frau® leather upholstery.  

Designed by
Renzo Frau

Lorenzo Frau, known as ‘Renzo’, was born in Cagliari in 1881. He left Sardinia for military service in Milan, which he completed successfully earning the title of lieutenant. He married Savina Pisati and moved to Turin, at the time a real hub of Italian culture. He initially worked as a sales representative for Gribaudi and then for Dermoide Patent, manufacturer of faux leather. Having moved to Great Britain for work, he was able to discover the Chesterfield model armchairs and immediately imagined its potential, successfully starting to import it into Italy. At the same time, however, he was also attracted by the models of French and Central European style. He therefore decided to create his own artisan production laboratory. It was 1912: Poltrona Frau was created. From the initial work ‘in style’, Frau quickly moved onto direct design. Poltrona Frau became not only a production pole, but also a meeting point for artists and intellectuals. Renzo Frau used these relations to consolidate the brand image: successful models ensued quickly, one after the other. As the First World War broke out, Frau was called to fight for his country and his wife Savina bravely took up the reins of the company. Frau’s armchairs thus began entering the most important buildings, also used by the royal family. Renzo Frau met an early death in 1926. He left an extensive archive of projects that would allow his wife to coherently pursue Poltrona Frau production in the years to come.

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Each collection of leathers or fabrics represents a different world: the color offering, the hand, the stroke, the tanning process, and the aesthetic value, make each upholstery valuable and unique