Baby Vanity | Armchair

Renzo Frau

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The Vanity Fair baby armchair has a frame made of poplar and birch plywood. The padding of the armrests and backrest is made of moulded polyurethane foam, while the seat cushion is filled with goose down. The legs are made of beechwood stained in dark walnut, and the upholstery is in Pelle Frau®. A row of leather-covered nails finishes the back and sides of the armchair.

Baby Vanity | Armchair

Renzo Frau
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Visuals shown are for illustration purposes only. Actual finish and/or pattern may vary due to unique characteristics of natural raw materials

Upholstery Info

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Concept and Design

Officially called “model 904” but known, since 1984, as Vanity Fair, over time this seat has become the emblem of Poltrona Frau. It is thought that the project, which first went into production in 1930, was developed on the basis of designs that Renzo Frau left his wife, Savina. The deliberately volumetric configuration of the Vanity Fair armchair saw it become one of the universal icons of Italian design.
Also available in a “baby” version, exactly two thirds the size of the original, Vanity Fair is also a comfortable pouf.  

Designed by
Renzo Frau

Lorenzo Frau, known as ‘Renzo’, was born in Cagliari in 1881. He left Sardinia for military service in Milan, which he completed successfully earning the title of lieutenant. He married Savina Pisati and moved to Turin, at the time a real hub of Italian culture. He initially worked as a sales representative for Gribaudi and then for Dermoide Patent, manufacturer of faux leather. Having moved to Great Britain for work, he was able to discover the Chesterfield model armchairs and immediately imagined its potential, successfully starting to import it into Italy. At the same time, however, he was also attracted by the models of French and Central European style. He therefore decided to create his own artisan production laboratory. It was 1912: Poltrona Frau was created. From the initial work ‘in style’, Frau quickly moved onto direct design. Poltrona Frau became not only a production pole, but also a meeting point for artists and intellectuals. Renzo Frau used these relations to consolidate the brand image: successful models ensued quickly, one after the other. As the First World War broke out, Frau was called to fight for his country and his wife Savina bravely took up the reins of the company. Frau’s armchairs thus began entering the most important buildings, also used by the royal family. Renzo Frau met an early death in 1926. He left an extensive archive of projects that would allow his wife to coherently pursue Poltrona Frau production in the years to come.

Coverings and finishes

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2d dwg / 3D dwg

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Each collection of leathers or fabrics represents a different world: the color offering, the hand, the stroke, the tanning process, and the aesthetic value, make each upholstery valuable and unique